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Das Werk erschließt alle in der Forschung bislang bekannten, mit Melodien überlieferten lateinischen Osterfeiern des Mittelalters und der Frühen Neuzeit nach einheitlichen Gesichtspunkten durch Editionen und Kommentare. Auf beiden Ebenen werden Melodie- und Textüberlieferung erstmals als Einheit angesehen. Das Korpus umfasst 375 Feiern des 10. bis 17. Jahrhunderts (und einige jüngere Ausläufer), die nahezu aus ganz Europa stammen. Jede Feier ist separat ediert und systematisch kommentiert. Dabei ergeben sich zahllose, z.T. weitreichende Korrekturen zur bisherigen Forschung. Die Ergebnisse der Einzelkommentare sind in edierten Osterfeiern zusammengefasst. Die Ergebnisse bestätigen zwar die herkömmliche Typeneinteilung der Feiern (Lange, Youg, de Boor), die Vielfalt der Befunde zeigt aber, daß innerhalb dieser Typisierung erheblich differenziert werden muss. Damit wird das Buch zu einem Grundlagenwerk zur Erforschung der lateinischen Osterfeiern, aber auch der Melodien zu den volkssprachigen Oster- und Passionsspielen. This volume includes all of the Latin Easter ceremonies transmitted from the Middle Ages and the Early Modern era together with melodies that are currently known to researchers. The compendium offers a unified approach to both melody and text. It includes a total of 375 ceremonies from the 10th through the 17th centuries (and a few more recent offshoots) that originate from many parts of Europe. Each ceremony is individually edited together with a systematic commentary. Frequently, the editing has involved extensive corrections to the findings from earlier research. The findings in the individual commentaries are summarized in extensive surveys on both melody and text tradition. While the editorial research confirms the accepted typology of the ceremonies (Lange, Young, de Boor), the diversity of the findings demonstrates the need to make extensive differentiations within this basic typology. This work is sure to become a fundamental resource for research on Latin Easter ceremonies as well as the melodies from vernacular Easter and Passion plays.

Easter music. --- Rites and ceremonies. --- Easter and Passion plays. --- Easter ceremonies. --- melody transmission. --- text transmission.

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Described by the distinguished theatre director Peter Brook as 'a very powerful form of theatre', the Ta'ziyeh is the Islamic drama of Iran. This work examines the evolution of the Ta'ziyeh, which involved elements drawn from Zoroastrianaism, Mithraism, mythology, folklore and traditional forms of Iranian entertainment. In its final form, most of its elements - plot, character, thought, spectacle and song - derive from the Shi'a branch of Islam. Its main plot concerns the suffering and death of Imam Hussein, grandson of the Prophet of Islam.

Taʻziyah --- Persian drama --- Drama --- Islamic drama --- Islamic literature --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Stage --- Literature --- Dialogue --- Persian literature --- Passion-plays, Shiite --- Shiite passion-plays --- Tazia --- Religious drama --- Tenth of Muḥarram --- History and criticism. --- Philosophy --- Iranian drama --- Iranian literature

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Il libro offre una nuova edizione critica e commentata del Plantus Magistrae Doloris, versione in antico volgare veronese di un Planctus Mariae, stesa nella seconda metà del XIV secolo. Una prima trascrizione era stata pubblicata nel 1891 da Gustav Oehlert: il nuovo editore è riuscito a identificare il testo latino da cui il volgarizzamento discende, il che ha consentito anche di chiarirne alcuni passaggi problematici; inoltre ha fornito uno stemma codicum dei tre manoscritti che conservano il testo latino, identificando il ramo della tradizione da cui il volgarizzamento dipende. L'edizione è corredata da un dettagliato commento linguistico e dal glossario. This is a new critical and commented edition of the Planctus Magistrae Doloris, a vernacular old Veronese prose version of a Planctus Mariae that was copied in the second half of the 14th century. While a first transcription was published in 1891 by Gustav Oehlert, the current editor has succeeded in identifying the Latin version the vernacular text was drawn from, allowing him to clarify some difficult passages. Moreover, the author has established a stemma codicum of the three manuscripts that transmit the Latin text, illuminating the branch of the tradition on which the vernacular depends. This edition also contains a detailed linguistic commentary and glossary.

Liturgical drama --- Passion-plays --- Christian drama, Latin (Medieval and modern) --- Drama, Medieval --- Theater --- Passions (Théâtre) --- Théâtre médiéval --- Théâtre --- History and criticism. --- History --- Histoire et critique --- Histoire --- Planctus Mariae --- Criticism, Textual. --- Planctus Mariae. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Passions (Théâtre) --- Théâtre médiéval --- Théâtre --- Planctus de Marie --- Edition. --- Planctus Magistrae Doloris. --- LANGUAGE ARTS & DISCIPLINES / Linguistics / General.

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The book is an anthropological study of a phenomenon observed within the range of contemporary Polish Catholic religiosity. The Crucified focuses on two fundamental issues: passion plays and performance theory. It presents an analysis of material collected during five years of field research, which sheds light on the varied world of religious performances. The phenomenon of passion plays is extremely complex and to some extent heterogeneous, hence its in-depth analysis reveals much not only about its own nature, but also about the entire modern religiosity. As a result, the book is constructed in such a way as to focus on a single phenomenon, but with conclusions extending to a much wider range of contemporary religious practices. The book reveals the need for self-expression of one’s own attitudes observable in contemporary spirituality, as well as the increasing participation of believers in the development of their religious life and thus in the formation of their own religious identity. All these processes are interpreted in terms of performance theory. Applying this approach makes it possible to capture the believers’ need for activity and creativity in the field of practices alternative to the liturgy.

Passion-plays. --- Drama --- Drama, Medieval --- Religious drama --- Theater --- Catholic Church. --- Passion-plays --- Christianity --- History and criticism --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Passion-plays - History and criticism --- Christianity - Poland --- Poland. --- 1939-1945 --- A' Phòlainn --- An Pholainn --- Borandi --- Bu̇gėdė Naĭramdakha Polʹsho Ulas --- Būland --- Būlūniy --- Bupolska --- Bupoolo --- Commonwealth of Poland --- Congress Kingdom of Poland --- Congress Poland --- Crown of the Kingdom of Poland and the Grand Duchy of Lithuania --- General Government for Occupied Polish Territories --- Gweriniaeth Gwlad Pwyl --- Gwlad Pwyl --- IPoland --- IPolandi --- Kingdom of Poland --- Kongresówka --- Królestwo Kongresowe Polskie --- Królestwo Polskie --- Kunngiitsuuffik Poleni --- Lahistān --- Lehastan --- Lehastani Hanrapetutʻyun --- Lengyel Köztársaság --- Lengyelország --- Lenkija --- Lenkijos Respublika --- Lýðveldið Pólland --- P.N.R. --- P.R.L. --- Pho-lân --- Pho-lân Kiōng-hô-kok --- Pholainn --- Pholynn --- PNR --- Pô-làn --- Poalen --- Pobblaght ny Polynn --- Poblachd na Pòlainn --- Poblacht na Polainne --- Poin --- Polaki --- Polaland --- Poland --- Polandia --- Pōlani --- Pole --- Polen --- Poleni --- Polija --- Polijas Republika --- Polin --- Polisce Cynewise --- Polish Commonwealth --- Polish-Lithuanian Commonwealth --- Polish People's Republic --- Polish Republic --- Poljska --- Pólland --- Pollando --- P'olland --- Pologne --- Polóña --- Poloni --- Polonia --- Poloniako Errepublika --- Polonie --- Polonya --- Polonyah --- Polonye --- Poloonya --- Polòy --- Polşa --- Polşa Respublikası --- Polsca --- Polʹsha --- Polʹsha Mastor --- Polʹshæ --- Polʹshæĭy Respublikæ --- Polʹshcha --- Polsh --- Polʹshin Orn --- Polʹsho --- Polska --- Polská republika --- Polska Rzeczpospolita Ludowa --- Polʹskai͡a Narodnai͡a Respublika --- Polskas --- Polsko --- Pòlskô Repùblika --- Pol'šu --- Poola --- Poola Vabariik --- Poyln --- Ppolsŭkka --- PRL --- Pulandia --- Pulógna --- Puluña --- Puoleja --- Puolejis Republika --- Repubblica di Polonia --- Republic of Poland --- República de Polonia --- Republica de Polsca --- Republiek van Pole --- Republik Pole --- Republik Polen --- Republika Poljska --- Republika Polsha --- Republiḳat Polin --- Republikken Polen --- République de Pologne --- République populaire de Pologne --- Repúbrica de Poloña --- Rėspublika Polʹshcha --- Respubliko Pollando --- Ripablik kya Bupoolo --- Ripublik Pulandia --- Ripublika Puluña --- Rzeczpospolita Polska --- Tavakuairetã Polóña --- T͡Sarstvo Polʹskoe --- Warsaw (Duchy) --- Yn Pholynn --- Europe --- Catholicism. --- Passion plays. --- performance. --- religious experience.